«憩园»接受的三个视阈
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On the Three Acceptance Perspectives of Leisure Garden
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    摘要:

    «憩园»作为巴金 20 世纪 40 年代最重要的小说作品之一ꎬ在对家庭生活的反思上承继了«激流»系列的精神启蒙ꎬ但 也因作者对人生和家庭问题的思想转变ꎬ启蒙的内核出现了一定变异ꎮ 在«憩园»里巴金不再热情激昂地批判封建旧家ꎬ转而 以一种温情和悲悯对小说中的人物报以无差别的人道主义关怀ꎮ 不同于巴金在其他作品中采用的单线结构ꎬ作者在«憩园» 的叙事中采用了多线并进的手法ꎬ在较短的篇幅中包含了繁复的内容ꎬ形成了其复调品格ꎮ 因此启蒙的承继与变异、人道主 义精神和复调品格就成了讨论«憩园»接受绕不开的三个接受视阈ꎮ

    Abstract:

    As one of Ba Jin′s most significant novels in the 1940sꎬ Leisure Garden inherits the spiritual enlightenment of Torrent Trilogy in the self-examination of family life. Howeverꎬ due to the changes of the author′s thoughts on life and family problemsꎬ the essence of enlightenment has changed a bit. In Leisure Gardenꎬ Ba Jin no longer criticized the feudal family passionatelyꎬ but gave the characters undifferentiated humanitarian care with tenderness and compassion. Different from the single line structure in his other worksꎬ he adopted a multi-line approach in his narrative of Leisure Gardenꎬ which contained complex contents in a short spaceꎬ thus forming its polyphonic quality and style. Thereforeꎬ the inherit ̄ ance and change of enlightenmentꎬ the humanitarianism and the polyphonic quality and style has become the three accept ̄ ance perspectives unavoidable in the discussion of the acceptance of Leisure Garden.

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沈 杰.«憩园»接受的三个视阈[J].西昌学院学报(社会科学版),2021,33(2):97-101.

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  • 在线发布日期: 2021-07-07