逃离幽暗:虹影小说中重庆形象的文学性建构 ——以《饥饿的女儿》《好儿女花》为例
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胡蓉(1991— ),女,四川内江人,在读硕士研究生,研究方向:中国现当代文学小说研究。

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Escape from the Darkness: Chongqing Image's Literary Construction in Hong Ying's Novel: A Case Study of Daughter of the River and Good Children of the Flowers
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    摘要:

    在《饥饿的女儿》与《好儿女花》两部自传体长篇小说中,虹影主要是从叙述历史、空间叙事与女性叙事的角度展开对重庆 形象的文学性建构。首先,虹影在历史维度上主要书写了重庆南岸饥饿的大饥荒年代与苦难的文革年代;其次,虹影将写作视 阈限定在重庆南岸,并率先奠定一种“幽暗”的叙述氛围;最后,虹影从女性主义的视角出发塑造出了一批在绝望中挣扎、逃离 幽暗的女性形象。虹影基于其“主观经验感受的生活”,构造出一种独特的贫民窟城市形象和独特的贫穷市民形象,这使得虹 影在重庆文学史上刻画出一种独特而个性化的重庆形象——挣扎在生活边缘的城市贫民如何直面“幽暗”,追逐“光亮”。

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    Daughter of the River and Good Children of the Flowers are Hong Ying's two autobiographical novels. In these novels, Hong Ying has narrated history and used two narrative techniques ——spatial narrative and female narrative. In this way, Hong Ying has constructed a literary image of Chongqing. Firstly, Hong Ying has written the history of Nan'an District, which concludes the starving three-year of the Great Famine and the miserable Cultural Revolution; Secondly, Hong Ying continues to describe Nan'an District, using a dark narrative tone; Thirdly, from the perspective of feminism, she has built a group of female images that are struggling in despair and escaping from darkness.Based on the subjective experience of life, Hong Ying has constructed a unique city image ——the urban slums and a unique residents image——the urban poor. Because of this, Hong Ying has depicted an individual image about Chongqing in Chongqing literature ——the urban poor who struggle in brink of life, trying to face darkness and chase brightness .

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胡蓉.逃离幽暗:虹影小说中重庆形象的文学性建构 ——以《饥饿的女儿》《好儿女花》为例[J].西昌学院学报(社会科学版),2016,(4).

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  • 在线发布日期: 2017-05-10