| 黄怡.论古典主义时期的“三一律”[J].西昌学院学报（社会科学版）,2014,(3):62-64. |
| 论古典主义时期的“三一律” |
| Study on“Three Unities”in Classicism |
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| DOI： |
| 中文关键词: “三一律” 古典主义 权力 |
| 英文关键词: three unities classicism power |
| 基金项目: |
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| 摘要点击次数: 3097 |
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| 中文摘要: |
| “三一律”作为西方戏剧理论的核心概念之一，被古典主义奉为悲剧创作的金科玉律，使得十七世纪的文艺创作充满着冷峻与凝重的气质。本文共分三个方面进行分析，从古典主义时期“三一律”诞生的具体社会语境为出发点，对理论的内涵做全面审视，再以两部经典的作品为例进行理论的一个解读，最后对三一律的意义做一个全面的观照。 |
| 英文摘要: |
| As the core concepts of western drama theory, three unities is regarded as the golden rule of tragic creation in classical. It makes the literary and artistic creation full of cool and dignified temperament in seventeenth century. The analysis of article is divided into three aspects. First of all, it aimed to analysis three unities of the society perspective in classical for comprehensive the theoretical connotation. Second, though two classic works of literature and art for express the three unities. Finally, it makes the comprehensive interpretation for the meaning of three unities. |
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