我的旧体诗声律观
DOI:
作者:
作者单位:

达州职业技术学院师范系

作者简介:

通讯作者:

基金项目:


Views on Rhythm of the Traditional Poems
Author:
Affiliation:

CHENG Zhi-qiang(Department of Normal,Dazhou Professional Technology Institute,Dazhou,Sichuan 635000)

Fund Project:

  • 摘要
  • |
  • 图/表
  • |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
  • 资源附件
    摘要:

    旧体诗就是今人用唐代及其以前的诗歌形式来写的诗。中国是一个诗的国度。讲究声律对偶的近体诗滥觞于南北朝的齐、梁时代。至初唐,近体诗的声律趋于成熟、定型和完备。写作旧体诗(包括古体诗和近体诗)应师承高古学唐诗,但是更要学习唐人既讲声律、又不惟声律的那样一种自由解放的艺术精神。谐或不谐声律,皆以自然随性不刻意为好,切勿因之而束缚了自己的创作灵性,影响了情志的自由表达。

    Abstract:

    The poems with the ancient style are written with Tang Dynasty and the previous period pattern.China is a kingdom of the poem.During Qi and Liang Era(the Northern and Southern Dynasties),modern style poetry form started to focus on the poetic posody and antithesis rules.To early Tang Dynasty,modern style poetry has tended to mature,finalize the design and complete pattern.We should learn from Tang Dynasty people to write ancient style poems(including a form of pre-Tang poetry and modern style poetry).We should learn to emphasize the rhythm,but we should pay more attention to the artistic spirits of freedom and liberation.Everything follows the natrual feelings,and never mind if the rhythmic harmony is right or not.Don’t let the rhythmic pattern affect the expression of feelings or the creative inspiration.

    参考文献
    相似文献
    引证文献
引用本文

程志强.我的旧体诗声律观[J].西昌学院学报(社会科学版),2012,(2):30-32.

复制
分享
文章指标
  • 点击次数:
  • 下载次数:
历史
  • 收稿日期:
  • 最后修改日期:
  • 录用日期:
  • 在线发布日期: 2017-06-06