接受美学视角下巴金《家》中的悲剧形象研究
作者:
作者单位:

四川文化产业职业学院

基金项目:

四川省社会科学重点研究基地-美学与美育研究中心课题:四川优秀传统文化与高职院校美育融合创新路径研究(项目编号:19Y009);四川文化产业职业学院校级课题:中华优秀传统文化融入高校美育课程的实践研究(项目编号:GJYJ2020A02)


A Study on the tragic image in Ba Jin's Family from the perspective of reception Aesthetics
Author:
Affiliation:

Sichuan Vocational College of Cultural Industries

  • 摘要
  • | |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
    摘要:

    接受美学强调接受者在接受活动中的作用,在接受美学看来,悲剧性文本并不是其悲剧艺术价值产生的终极因素,文本价值的生成必须是在与接受者的对话中实现,接受者必然要参与悲剧文本价值的构造过程。从这个角度看巴金先生的作品是获得巨大成功的,他笔下的《家》不管是他苍凉的笔调还是悲痛的结局,都蕴含着丰富的美学意蕴并在读者心中引起巨大反响。通过接受美学的视角从期待视野、审美经验以及召唤结构三方面来重点研究《家》中的悲剧形象,以助于了解接受者参与作品价值生成的整个过程。

    Abstract:

    Reception aesthetics emphasizes the role of the receiver in the reception activities. From the perspective of reception aesthetics, tragic text is not the ultimate factor of its tragic artistic value. The generation of text value must be realized in the dialogue with the receiver, and the receiver must participate in the construction process of the value of tragic text.The famous writer Ba Jin's "Home" contains rich aesthetic implication both in its desolate tone and sad ending.From the perspective of reception aesthetics, and in the two aspects of the creator and the recipient 。From the perspective of reception aesthetics, this paper focuses on the tragic image in the novel from the perspective of expectation, aesthetic experience and calling structure, so as to understand the whole process of the value generation of the work。

    参考文献
    相似文献
    引证文献
引用本文
分享
文章指标
  • 点击次数:
  • 下载次数:
历史
  • 收稿日期:2020-06-11
  • 最后修改日期:2020-07-25
  • 录用日期:2020-08-31