Zhuzhi Ci is a vital carrier of regional literature and cultural memory. The Zhuzhi Ci of Liangshan region in the Qing Dynasty recorded the unique natural landscape, production and life, folk customs and rituals, as well as ethnic interactions in this area with poetic brushstrokes. From the theoretical perspective of pluralistic unity, this paper combs through the Liangshan Zhuzhi Ci composed by such authors as Wang Tingqu, Chen Yinglan and Yang Xueshu, and explores how they unfold the distinctive local culture of Liangshan in the Qing Dynasty from such aspects as geographical space, economic forms, festive rituals and ethnic integration. The Zhuzhi Ci of Liangshan in the Qing Dynasty not only highlight the uniqueness of Liangshan''s regional culture, but also demonstrate the sense of community formed by various ethnic groups in Liangshan through cooperation in production and mutual cultural learning. Its poetic writing is not only the preservation and dissemination of local culture, but also corroborates the cultural development trajectory of pluralistic coexistence and integrated convergence in the Liangshan region in the Qing Dynasty.