In the middle and late 1970s, in the special political context of Czechoslovakia, ?im?nek promoted the humanistic Marxist Symbolic Aesthetics and resisted the unhealthy tendency of vulgarization and formalization in the field of art, starting from the specific art forms such as music and novel, the research on the semantic, objective and form of art is integrated with the critical dimensions and methods of humanitarianism, social history, practice and significance, it embodies the theoretical courage and truth-seeking spirit of an Eastern European intellectual and Marxist scholar. His influence on the humanitarianism of Chinese scholars in the 1980s can provide some good theoretical reference for the contemporary construction of Chinese Marxist Semiotic Aesthetics.